top of page

Recording & Mix Studio

20201212-LBB_LiveSession_MichaelSele_bw-193150_DG.jpg

Live Room

FEELS JUST LIKE HOME

With a large, high ceilinged tracking room, two impressive control rooms and a spacious lounge, it's a natural choice for musician to record at Studio Eschen. For high-end analog recording studio offers a state-of-the-art C.L.A.S.P. (Closed Loop Analog Signal Processor) system connected to a fully serviced Studer A820 for 24 analog multitracking. Patented by Chris Estes, the CLASP design bridged analog and digital recording techniques by seamlessly integrating the tape machine into Pro Tools.

The result is the ability to record to tape while maintaining the speed and flexibility of a DAW, delivering real-time analog monitoring with zero-latency through a mastering grade audio signal path. Just like we each like different genres of music, some engineers like plugins, and thats fine. But when it comes down to it, we like the sound of using the real thing any day over a simulation. 

And why not use the real thing if you can? 

A real tape machine running in the studio is always way more inspiring than a plugin any day.

live room

Control Room

COMFORTABLE, CREATIVE ENVIRONMENT

The control room offers a flagship SSL 4048 G+ in perfect condition. Pro Tools 10 and the I/O configuration consists of high-end Swissonic converters. For analog tracking we offer a Studer A820 total of 24 analog multitracking. 

 

The studio has also it's own Steinway Grand Piano 6' 4" very beautiful sound and real touch of class.

STATE-OF-THE-ART SSL 4000 G SERIES

The SSL G series has been stalwarts supporter of studios around the world for the past 25 years, and legend has it that more platinum records have been mixed on G Series desks, than on any other type of console. The biggest positive of having a G4048 - apart from its great sound - is the flexibility it gives to the studio. A compact design packs great preamps, EQ and dynamics into every channel and provides an amazing central core to the studios setup. In conjunction with the growing outboard rack of preamps, dynamics processors and FX toys the desk catapults the studio into a sonic realm.

control room

Equipment

SSL 4048 G+ SERIES CONSOLE
  • 48 channel. Total Recall, VCA Automation, right hand patchbay, left hand Producers desk, G+ series computer, tower rack in separate machine room

  • Tangerine Audio

RECORDERS AND TAPE MACHINES
  • PRO TOOLS HDX Ultimate up to 64 audio tracks @ 48/96/192 kHz.

  • Orion³² HD3 Multi-Channel AD/DA Converter

  • Apple MacPro Dual Quad 3,46 GHz 6-Core Intel Xeon “Westmere” (12 Kerne)

  • (2x) STUDER A80 - 1/4" 2 Track

  • STUDER A800 MK2 - 2" 24 Track

  • STUDER A812 - 1/4" 2 Track

  • (2x) STUDER A820 - 2" 24 Track

  • STUDER C37 - 1/4" 2 Track

  • Neumann AM32B Lathe: 1962

  • Vinyl Cut Table

  • C.L.A.S.P. System Endless Analog

COMPRESSORS AND LIMITERS
  • UREI 1178 Stereo

  • (2x) UREI 1176 LN

  • DRAWMER 1960

  • TUBE TECH EQ PE 1B

  • FOCUSRITE Rack 2xISA 130 + 2 ISA 110

  • 48 SSL 4000 G+ 

MONITORS AND AMPS
  • DYNAUDIO ACUSTICS M-3 with BSS-FDS-360 2x Chameleon Dynaudio Amps

  • YAMAHA NS-10M Speakers

  • AURATONE "AudioCube"

  • CROWN D-75 Power Amp

EQUALIZERS
  • NEVE V-Rack 3 equalizer modules and 3 compressor modules

  • 40 SSL 4000 G+ 

  • 08 SSL 4000 E Series

HEADPHONES
  • (140x) Sennheiser HD 280

REVERBS AND DELAYS:
  • AMS DM 2-20 Phaser

  • AMT RMX-16

  • EMT 246

  • EMT 256

  • MXR Stereo Flangers (SSL 4K Automated)

  • EVENTIDE H3000 ULTRA HARM

  • EVENTIDE DSP4000 ULTRA HARM

  • AMT RMX-16

  • KLARK TECHNIK DN 780

  • LEXICON 480 L

  • LEXICON Super Prime Time

  • LEXICON PCM-70

  • Lexicon LXP-15

  • ROLAND SDE 3000

  • ROLAND SDE 2500

  • ROLAND SVR 2000

  • YAMAHA SPX 90

  • YAMAHA REV 5

  • KORG SDD3000

  • QUANTEC QRS

INSTRUMENTS
  • STEINWAY & SONS grand piano Model D274 (274cm)

  • Fender Rhodes Mark II (Vintage)

  • HAMMOND M100 with Hammond Leslie

  • LUDWIG Drum Kit 22" 1964er

  • LUDWIG Drum Kit 22" 65er

  • LUDWIG Drum Kit 20" 65er

  • DW Maple Shell Set 22" 1990

  • DW Maple Shell Set 24" 1989

  • LUDWIG SD Supraphonic (2x)

  • LUDWIG SD Jazz Festival (2x)

  • LUDWIG SD Acrolite

  • Fender Super Reverb

  • Fender Bassman

  • Peavey Classic 30

  • AMPEG SVTII Bass Amp

PRE AMPS
  • AVALON M5

  • Oram Octa Sonic 8

  • AURORA GTP 8 Neve

  • NEVE Mic pre

  • Chandler Germanium

  • 48 SSL 4000 G+

MICROPHONES

AUSTRIAN AUDIO:

  • OC818 Stereo Set (2x)

  • OC18

  • CC8 Stereo Set (3x)

  • OC707 (2x)

  • OC7 (4x)

  • OD505 (3x)

  • OD5 (4x)

NEUMANN:

  • M 50

  • U-47 Tube (2x)

  • U-67 Reissue

  • U-47 FET (2x)

  • U-89 (3x)

  • U-87

  • TLM 170 (2x)

  • KM 84 (3x)

  • KU 100

  • MKH 800 Twins (4x)

  • KSM 104 (3x)

 

SENNHEISER:

  • MD 421 (4x) black

  • MD 421 (4x) grey

  • MD 441 (2x)

  • E965 (3x)

 

AKG:

  • C-12

  • C-24 Stereo

  • C-34 Stereo

  • C-414 ULS (4x)

  • C-414 EB (6x)

  • C-414 XLII

  • C-414 XLS

  • C-214

  • Tube

  • D12 VR (2x)

  • D12 Vintage (2x)

  • C-460 B (8x)

  • C-460 B CK3 (2x)

  • C-452 EB + CK 1

  • C-451 C

  • C-452 E CK6

  • C-567 C

  • D-224 E

  • C-535 (7x)

  • D5 (3x)

  • D7 (2x)

 

SHURE:

  • SM 58 (3x)

  • SM 57 (10x)

  • SM 7

 

ELECTROVOICE:

  • RE-20

DPA:

  • 4011

Studio Impressions

Floorplan

Designed by architects acoustic consultant studio bau:ton Los Angeles www.bauton.com. Studio Eschen is a 5,000 square foot facility for the exclusive use. It features a 50’x50’ live room with 12’ ceiling and special acoustic paneling, 4,000 cubic foot control room with cement walls and 2 iso booths plus extra recording room. Undisturbed space for recording. The studio is situated on the first floor reachable via a heavy transport elevator for 2.200 pounds. Daylight in all rooms. The studio is fully air conditioned.

bottom of page